DIOR PRE-FALL 2024

๐“๐ก๐ž ๐ง๐ข๐ ๐ก๐ญ ๐Š๐ข๐ฆ ๐†๐จ๐ซ๐๐จ๐ง ๐›๐ซ๐จ๐ฎ๐ ๐ก๐ญ ๐ง๐จ๐ข๐ฌ๐ž ๐ญ๐จ ๐ญ๐ก๐ž ๐ก๐จ๐ฎ๐ฌ๐ž ๐จ๐Ÿ ๐ƒ๐ข๐จ๐ซ... 

Artistic integrations in fashion at times can be staid affairs, tepid offerings unworthy of contemplation, especially when every last drop of life is stage-managed out of them. Monday night (15 April 2024) at the Brooklyn Museum was anything but! 

Fashionโ€™s leading sound director Michel Gaubert assembled a New York program for the occasion that was equal parts Yoko Ono (runway) and Kim Gordon (live performance). The latter in particular unleashed a devastating live set before an exclusive audience, some of whom could be forgiven for being just a little bit unsuspecting. Put simply, Kim and her excellent players imparted an authenticity, the likes of which cannot be manufactured and is even less likely to be loosed in a hyper-controlled environment like a runway show after party.

Produced for System.

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